Popular Music, Cultural Memory, and Heritage

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Arno van der Hoeven
audience research
Australia's National Film
BBC Worker
British Broadcasting Corporation Sound Archive
British Library Sound Archive
Category=AVLP
Category=JBCC
Category=JBCT
Category=NH
Choir Members
collective identity
cultural belonging
cultural identity
Cultural Industry Workers
cultural memory
cultural preservation
DIY music heritage
DIY Preservationist
DRM.
Dutch Popular Music
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
European popular music heritage
heritage
Ian Rogers
mainstream music critics
material culture studies
memorabilia
Migrant Self-organization
music archives
Music Heritage
music heritage sites
music scenes
musicology
Natalija Majsova
national identity
National Library
Peter Doyle
Popular Music
Popular Music and Society
Popular Music Archive
Popular Music Heritage
Popular Music Histories
Progressive Rock
Rosa Reitsamer
Sarah Baker
Secondary Tier
Shane Homan
Simone Driessen
Sound Archive
Susanne Janssen
Ticket Stubs
Timothy J. Dowd
Transcoding Strategies
Trent Ryan
Turbo Folk
UK Band
Van Der Hoeven
Van Eijck
Yun Tai

Product details

  • ISBN 9781138701359
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites – including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives – constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University in Queensland, Australia. He has authored and edited over 20 books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (with Richard A. Peterson).

Susanne Janssen is Professor of Sociology of Media and Culture in the Department of Media and Communication at Erasmus University Rotterdam the Erasmus Research Centre in Media, Communication and Culture, The Netherlands. She has published widely on the agents and institutions involved in the creation, dissemination and valuation of literature and other art forms.