Popular Trauma Culture

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A01=Anne Rothe
Age Group_Uncategorized
Age Group_Uncategorized
American survivors
Author_Anne Rothe
automatic-update
Category1=Non-Fiction
Category=HBTZ1
Category=JBCC1
Category=JFCA
Category=NHTZ1
Category=NHWR7
child abuse
conflict
COP=United States
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
extreme violence
good vs evil
Holocaust
insensitive
journalism
Language_English
mass media
media
melodramatic
memoir
misery
PA=Available
pain
paradigm
perpetrator
personal experience
plot structure
political appropriation
pop culture
popular culture
Price_€20 to €50
PS=Active
selling misery
Social Darwinism
softlaunch
suffering
survival
survivor
talk show
trauma
trauma camp
trauma kitsch
trope
victim
victimhood

Product details

  • ISBN 9780813551296
  • Weight: 313g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Sep 2011
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In Popular Trauma Culture, Anne Rothe argues that American Holocaust discourse has a particular plot structure—characterized by a melodramatic conflict between good and evil and embodied in the core characters of victim/survivor and perpetrator—and that it provides the paradigm for representing personal experiences of pain and suffering in the mass media. The book begins with an analysis of Holocaust clichés, including its political appropriation, the notion of vicarious victimhood, the so-called victim talk rhetoric, and the infusion of the composite survivor figure with Social Darwinism. Readers then explore the embodiment of popular trauma culture in two core mass media genres: daytime TV talk shows and misery memoirs.

Rothe conveys how victimhood and suffering are cast as trauma kitsch on talk shows like Oprah and as trauma camp on modern-day freak shows like Springer. The discussion also encompasses the first scholarly analysis of misery memoirs, the popular literary genre that has been widely critiqued in journalism as pornographic depictions of extreme violence. Currently considered the largest growth sector in book publishing worldwide, many of these works are also fabricated. And since forgeries reflect the cultural entities that are most revered, the book concludes with an examination of fake misery memoirs.

ANNE ROTHE is an assistant professor of German at Wayne State University.

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