Popularisation and Populism in the Visual Arts

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19th Century Composite
activism
advertising
anthropological leadership studies
anthropology
art history
audience engagement theory
bourgeois
Canetti
Category=AB
Category=AGA
Category=ATF
Category=GTM
Category=JBCC1
Category=JBCT
Category=JPWC
Category=QDTN
common man
common woman
Composite Face
Composite Faces
Composite Portraits
contemporary art
Contemporary Society
Contingent Affordances
democratic representation art
digital meme affect research
Elias Canetti
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
everybody
Felix Guattari
film
film studies
Film's Commercial Success
Film’s Commercial Success
Gezi Movement
Gilles Deleuze
Giorgio Agamben
iconography
image authority analysis
John Stezaker
Matteo Salvini
media studies
Memetic Commentary
Michel de Certeau
modernity
Molly Pitcher
Newark Museum
nobody
Occupy Wall Street
performative arts
philosophy
photography
Political Parties
political theory
politics
popular culture
postmodern
propaganda
Push Mower
revolution
Riding Mower
RMN Grand Palais
spectacle critical practice
Strange Attractor
television
the internet
the people
Vice Versa
visual art
visual culture studies
Visual Social Media
York City's Zuccotti Park
York City’s Zuccotti Park
Young Man

Product details

  • ISBN 9781032338002
  • Weight: 399g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book investigates the pictorial figurations, aesthetic styles and visual tactics through which visual art and popular culture attempt to appeal to "all of us". One key figure these practices bring into play—the "everybody" (which stands for "all of us" and is sometimes a "new man" or a "new woman")—is discussed in an interdisciplinary way involving scholars from several European countries. A key aspect is how popularisation and communication practices—which can assume populist forms—operate in contemporary democracies and where their genealogies lie. A second focus is on the ambivalences of attraction, i.e. on the ways in which visual creations can evoke desire as well as hatred.

Anna Schober is Professor of Visual Culture in the Department of Cultural Analysis at Alpen-Adria-University Klagenfurt, Austria.