Portraits in Early Modern English Drama

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A01=Emanuel Stelzer
Accademia Dei Lincei
Accademia Nazionale Dei Lincei
art history criticism
Author_Emanuel Stelzer
Caroline Court Culture
Case Studies
Category=ATD
Category=DSG
Closet Scene
Closet scenes
Cursory Research
Dei Lincei
Devil's Law Case
Devil’s Law Case
Dumb Show
Early Modern Closet
Early Modern Drama
Early Modern English
Early Modern English Drama
Early Modern English Protestantism
Early Modern English Stage
Early Modern Visual Culture
English Renaissance plays
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female portrait staging early modern drama
gender representation theatre
Historical Perspectives
Intromission Theory
Lady Dacre
Marcus Gheeraerts
material culture studies
performance interpretation
Platonic Contemplation
Portrait Of A Man
Renaissance Portrait
Restoration Drama
Semiotic Approaches
semiotics visual analysis
Sir William Lower
Staged Portraits
Tertullian's De Spectaculis
Tertullian’s De Spectaculis
Theatre
Vice Versa
Visual Art
Vow Breaker
Young Man

Product details

  • ISBN 9781138348394
  • Weight: 535g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 May 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues.

Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses?

This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.

Emanuel Stelzer is an adjunct lecturer at the University of Bergamo, after earning a PhD there in cotutelle at Justus-Liebig-Universität Gießen and working as a postdoctoral researcher at Università della Valle d’Aosta. His publications have appeared in Critical Survey, Notes and Queries, and Early Theatre.

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