Portraiture and Critical Reflections on Being

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1960s
1970s
A01=Euripides Altintzoglou
Analytic Cubism
Andy Warhol
Aristotle
Art & Language
art history
Author_Euripides Altintzoglou
being
body
Braque
Cartesian
Cartesian dualism
Cartesian Subjectivity
Category=AGA
Category=AGHF
Category=QDTN
classical art
classical period
Cognitio Dei
Combinative Reference
Compositional Reduction
contemporary art
contemporary visual analysis
Cubist Portraits
Daniel Henry Kahnweiler
dualism
Dualist Portrait
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
expressiveness
Gerhard Richter
Good Life
honorific
identity
identity theory
Jackie Onassis
Kelly's Post Partum Document
Kelly’s Post Partum Document
Mary Kelly
mind
mind body problem in portraiture
modernism
Narcissus
Pagan Competition
philosophy
philosophy of art
Picasso
Picasso's Portrait
Picasso’s Portrait
Plato
Platonic
portraits
post-conceptualism
Public Image Making
Rembrandt
Rembrandt Van Rijn
Rembrandt's Self-portraits
Rembrandt's Studio
Rembrandt's Work
Rembrandt’s Self-portraits
Rembrandt’s Studio
Rembrandt’s Work
Renaissance art
self
Seventeenth Century Dutch Portraiture
Seventeenth Century Netherlands
Silkscreen Prints
Singular Authorship
soul
subjectivity in painting
Synthetic Cubism
the artist
the sitter
twentieth century
Warhol's Portraits
Warhol’s Portraits
Western art history
Western culture
Young Men

Product details

  • ISBN 9781032178721
  • Weight: 303g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book analyzes the philosophical origins of dualism in portraiture in Western culture during the Classical period, through to contemporary modes of portraiture. Dualism – the separation of mind from body - plays a central part in portraiture, given that it supplies the fundamental framework for portraiture’s determining problem and justification: the visual construction of the subjectivity of the sitter, which is invariably accounted for as ineffable entity or spirit, that the artist magically captures. Every artist that has engaged with portraiture has had to deal with these issues and, therefore, with the question of being and identity.

Euripides Altintzoglou’s practice explores the correlation of being, politics, and change. He is the co-editor (with Martin Fredriksson) of Revolt and Revolution: The Protester in the 21st Century (Oxford, UK). His work has been exhibited internationally in private galleries, public museums, and biennales. He currently holds the post of a Senior Lecturer in Fine Art and Photography at the Wolverhampton School of Art est. 1851, University of Wolverhampton.

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