10th century art history
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A01=Cynthia Hahn
abbots
art
art history
audience reception
Author_Cynthia Hahn
bishops
Category=AKLB
Category=DSB
Category=NHDJ
Category=QRAX
Category=QRM
Category=QRVG
design
english monk matthew paris
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
hagiography
illustrated manuscripts
interdisciplinary
kings and queens
martyrs
medieval europe
medieval lives of the saints
middle ages
monks
narrative effect
paintings
pictorial hagiography
religion
religious
religious arts
saints
spiritual
textual narrative
types of saints
virgins
visual narrative
Product details
- ISBN 9780520223202
- Weight: 1179g
- Dimensions: 178 x 254mm
- Publication Date: 20 Nov 2001
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
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Hagiography, or writing about and illustrating the lives of saints, was one of the most creative areas for artistic inspiration in the literature and arts of the Middle Ages. This book explores the sumptuously illustrated saints' lives that were made in medieval Europe. Cynthia Hahn discusses a broad range of manuscripts and other artifacts, many of which are reproduced here, and provides an analysis of their pictorial and narrative structure. Hahn's book is a virtual compendium of images-many rarely published-as well as a learned study that deepens our understanding of the role of various types of saints, the nature of their audience, and the historical moment when individual works were produced. After two informative introductory chapters setting the historical and narrative context of pictorial hagiography, Hahn considers the Lives of Martyrs and Virgins, Bishops, Monks and Abbots, and Kings and Queens, and concludes with an examination of the extraordinary chronicles and illustrations of the lives of saints by the English monk Matthew Paris. She considers such questions as: Why were illustrated saints' lives produced in such great numbers during this period?
Why were they illustrated at all given the trouble and expense of such illustration? And to whom did the saints' lives appeal, and how did their readers use them? As she addresses these and other intriguing questions, Hahn traces changes that occurred over time both in the images and the stories, and shows how their creators, mostly the intellectual elite, were finely attuned to audience reception. This important aspect of hagiographic production has received scant attention in the past, and as she considers this issue in light of contemporary narrative theory, Hahn brings us to a fresh appreciation of these intricately illustrated manuscripts and their multiple audiences.
Cynthia Hahn is Gulnar K. Bosch Professor of Art History at Florida State University and author of the facsimile edition of the Passio Kyliani, Psuedo Theotimus, Passio Margaretae ... Hannover Niedersachsische Landesbibliothek, Ms. I.189 (1988).
