Post-1945 Art Collections and Regional Research Networks

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A01=Hana Leaper
A01=Sophie Hatchwell
academia
art museum
Author_Hana Leaper
Author_Sophie Hatchwell
Birmingham
British
British art
Category=AB
Category=AGA
Category=GLZ
Category=GTM
Category=NHD
collaborative research
community
Coventry
cultural identity studies
curatorial practice
education
England
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
equitable art institution collaboration
ethical partnership models
exhibition production
higher education
knowledge
Liverpool
Liverpool John Moores University
marginal
Midlands
museology
museum
museum studies
networks
Northwest
periphery
policy
public art
regional expertise
research
scholarship
Second World War
United Kingdom
universities
university
University of Birmingham
World War II

Product details

  • ISBN 9781032734583
  • Weight: 490g
  • Dimensions: 174 x 246mm
  • Publication Date: 20 Feb 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Taking a consciously regional perspective, this volume evaluates the mechanisms and motivations that underpin collaborations between higher education and public art galleries in the Midlands and Northwest of England.

Presenting a series of case studies of collaborative projects undertaken by the co-authors, the chapters argue for the importance of developing equitable and sustainable partnerships across sectors, setting mutual long-term goals, the respectful articulation of respective priorities, and identifying shared ethical values. These proposed ideal conditions, developed through collaborative practice, are framed by, and rooted in, specific regional contexts of exhibition production and spectatorship, museum funding, the civic function of universities, and local art histories and cultural identities. The authors show how co-produced research can harness regionally-rooted expertise to intervene in nationally-relevant debates around British cultural histories and identities, as well as contribute to the broader discourse around regional practice and collaboration.

The book will be of interest to scholars working in art history, museum studies, and curatorial studies.

Sophie Hatchwell is Co-Deputy Head of Research (Impact) for the School of Languages, Cultures, Art History and Music and Associate Professor in History of Art at the University of Birmingham, UK

Hana Leaper is Reader in History of Art and Museum Studies, John Moores Painting Prize Embedded Post Holder, Co-director Exhibition Research Lab, and Programme Leader Exhibition Studies MA at Liverpool John Moores University, UK

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