Post-cinema

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A32=André Gaudreault
A32=Annie Oever
A32=Christophe Génin
A32=Céline Scemama
A32=Dudley Andrew
A32=Giovanna Fossati
A32=Philippe Marion
A32=Victor Burgin
aesthetics
Age Group_Uncategorized
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B01=Dominique Chateau
B01=José Moure
Category1=Non-Fiction
Category=APF
Category=ATF
Category=JBCT
Category=JFD
contemporary art
COP=Netherlands
Delivery_Delivery within 10-20 working days
dispositif
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
Language_English
media
PA=Not available (reason unspecified)
Price_€100 and above
PS=Active
softlaunch

Product details

  • ISBN 9789463727235
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Sep 2020
  • Publisher: Amsterdam University Press
  • Publication City/Country: NL
  • Product Form: Hardback
  • Language: English
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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent it represents a unitary or diversified current. The book proposes to integrate the post-cinema question within the post-art question in order to study the new ways of making filmic images. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Casetti) of the same films that can be seen using devices of all kinds in conditions more or less removed from the dispositif of the theater; the integration of cinema into contemporary art in all kinds of forms of creation and exhibition, parallel to the integration of contemporary art in "regular" cinema.
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE. Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.