Post-heritage Perspectives on British Period Drama Television

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A01=Will Abbiss
Adaptations
Audience
Author_Will Abbiss
BBC
BBC Series
Bleak House
British cultural narratives
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Classic Serial
Co-production Arrangements
contemporary British period drama analysis
Contemporary Soap Operas
Continuing Soap Opera
cultural identity representation
Dickens Adaptations
DVD Box Set
Eaton Place
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eq_isMigrated=2
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eq_non-fiction
eq_society-politics
Genre
High End Drama
Historical Gaze
Internet-distributed television
Lost Prince
Mass Art
media historiography
National identity
national identity in media
Nationhood
Netflix
Nordic Noir
Peaky Blinders
Period Drama
Public Service Broadcaster
Public service drama
Quarry Bank Mill
Showrunner
Soap opera
Society drama
streaming platforms analysis
television studies
Thursday Club
Trauma
UK Coalition Government
UK Drama
UK Influence
Upstairs Downstairs
Zombie Fiction

Product details

  • ISBN 9781032170329
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing upon the existing scholarship of period drama and emerging research into new media ecologies, instigated by television streaming services such as Netflix, this book establishes a critical framework for understanding the representation of nationhood and cultural identity in television drama.

By formalising the term ‘post-heritage’ the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the ‘society dramas’ of Upstairs Downstairs and Downton Abbey, Steven Knight’s Dickens adaptations, and Stephen Poliakoff’s recent oeuvre, to demonstrate the benefits of evaluating period drama as part of twenty-first century television’s developments. It challenges the assumptions around characteristics and ideological purpose that period drama discourse often contends with, and offers new perspectives on understanding the past through televisual representations.

This book will be important reading for students and scholars of television studies, film studies and cultural studies.

Will Stanford Abbiss received his doctorate from Victoria University of Wellington, New Zealand, in 2021. His research focuses on representations of nationhood in long-form television drama, including the status of public service television in the twenty-first century. His scholarly research has been published in Television & New Media, the Journal of British Cinema and Television, the Journal of Popular Television and Critical Studies in Television, for which he is also an editorial assistant.

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