Post-Romantic Aesthetics in Contemporary British and Irish Poetry

Regular price €58.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Stefanie John
Aeolian Harps
Anglocentric lyric tradition
Anna Liffey
Author_Stefanie John
Basking Shark
Black Cat Bone
British literary criticism
Camelion Poet
Category=DSBH
Category=DSC
Clarke's Poem
Clarke's Writing
Clarke’s Poem
Clarke’s Writing
contemporary British
contemporary lyric traditions
Contemporary Poetry
Eavan Boland
ecology
English Romantic tradition
environmental poetics
Eolian Harp
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evans's Poem
Evans’s Poem
gender in literature
Gillian Clarke's poetry
Gillian Clarke’s poetry
Human Suffering
Irish poetry
Irish poetry analysis
John Burnside's works
John Burnside’s works
Kathleen Jamie
Keats Lives
layered aesthetics
Light Trap
Lyrical Ballads
national identity studies
Natural World
Night Feed
post-Romantic aesthetics
post-Romantic formations
post-Romantic poetic influence
Refocusing
Romantic Canon
Romantic ideology
Romantic Poetry
Romanticism
Scottish poets
Tree House
Vice Versa
White Hawthorn
Women Poets

Product details

  • ISBN 9781032016504
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.

Stefanie John is Lecturer in English Literature and Culture at Technische Universität Braunschweig, Germany.

More from this author