Post-Sixties Narratives as Cultural Criticism

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1960s
1960s Student Movements
A01=Lin Xiang
Adversary Culture
America
American intellectual history
American studies
American's cultural criticism
Author_Lin Xiang
Beat Writers
Bohemian Intellectuals
Bourgeois World View
C. Wright Mills
Category=DSBH
Category=JBCC
Category=JHB
Category=JP
China
College Professors
Contemporary Cultural Criticism
countercultural movements
critique
cultural criticism
Cultural Mass
cultural studies
cultural studies theory
Daniel Bell
Demarcation Line
Dissent Magazine
Dissent Writers
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Hard Rain's a-Gonna Fall
Hard Rain’s a-Gonna Fall
historical index
ideology
intellectual subculture
intellectuals
interpretation
Jazz Age
Juvenile Delinquents
linguistics
literary criticism methods
literary theory
Mass Culture Critique
narratology
New York
New York intellectuals
Nobel Prize Award Ceremony
Partisan Review
Pop Stars
post-60s narratives
post-Sixties narratives
public discourse analysis
radical cultural criticism in America
Russell Jacoby
societal change
sociology
sociology of memory
Traditional Narratology
Tv Culture
Vice Versa
World War Ii Era
York Circle
York Intellectuals
Young Man

Product details

  • ISBN 9780367355555
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the cultural criticism led by New York intellectuals from the 1960s onwards, considering the influence of such critique on American collective memory and contemporary public culture. With a focus on essays that appeared in Dissent magazine—one of the most important journals of the New York intellectuals—from the year of its launch in 1954 to its most recent issue, as well as representative books on American culture by Daniel Bell and Russell Jacoby, the author contends that post-Sixties narratives constitute a special paradigm of cultural criticism that seek radical possibilities for societal change in the US, based on a use of the 1960s as an index for understanding American cultural and political life. A study of the ways in which narratives can move beyond story-telling to have interpretative and ideological functions as a form of criticism, this book will appeal to scholars of cultural studies and sociology, as well as those working in the fields of linguistics and literary theory.

Lin Xiang is Associate Professor of English at Sichuan Normal University, China.

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