Post-Socialist Political Graffiti in the Balkans and Central Europe

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Mitja Velikonja
Age Group_Uncategorized
Age Group_Uncategorized
Art Stars
Author_Mitja Velikonja
automatic-update
Category1=Non-Fiction
Category=AFJ
Category=AFJG
Category=JBCT
Category=JFD
Category=JHB
Category=JPA
Category=JPVL
Category=JPWC
Catholic Cross
Celtic Cross
Contemporary Societies
COP=United Kingdom
Crvena Zvezda
Delivery_Delivery within 10-20 working days
Edo Ravnikar
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
EU Frame
Fan Groups
Fan Sticker
Gavrilo Princip
global digitisation
graffiti culture
Graffiti Subculture
Graffiti Writers
Holy Mountain
interdisciplinary graffiti research
International Monetary Fund
Language_English
nationalism studies
PA=Available
Political Graffiti
political media
post-socialist ideologies
Price_€100 and above
Pro Nation
PS=Active
qualitative research methods
radical political movements
radical politics
Slovenian Armed Forces
Slovenian Identity
softlaunch
Sremska Kamenica
Street Art
street art analysis
subcultural politics
Vice Versa
visual culture studies
Young Bosnia
Young Men

Product details

  • ISBN 9780367338152
  • Weight: 454g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media.

Despite the increasing global digitisation, graffiti remains widespread and popular, providing with a few words or images a vivid visual indication of cultural conditions, social dynamics and power structures in a society, and provoking a variety of reactions. Using qualitative and quantitative methods, as well as detailed interdisciplinary analyses of "patriotic," extreme-right, soccer-fan, nostalgic, and chauvinist graffiti and street art, it looks at why and by whom graffiti is used as political media and to/against whom it is directed. The book theorises discussions of political graffiti and street art to show different methodological approaches from four perspectives: context, author, the work itself, and audience.

It will be of interest to the growing body of literature focussing on (sub)cultural studies in the contemporary Balkans, transitology, visual cultural studies, art theory, anthropology, sociology, and studies of radical politics.

Mitja Velikonja, PhD, is a Professor of Cultural Studies and Head of the Centre for Cultural and Religious Studies at the Faculty of Social Sciences, University of Ljubljana, Slovenia.

More from this author