Postcolonial Comics

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Africa Dreams
Anglophone
Ann Miller
Asia Pacific War
Bagha Jatin
bande dessinee
Barbaric Space
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Chandra Shekhar
colonial legacy representation
comic book circulation
comic book culture
comic book production
Comic Book Writers
Delhi Calm
Editorial Cartoons
El Ejido
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Francophone
French Comic Book
French Language Comics
gender and identity in comics
graphic narrative studies
graphic writing
Harleen Singh
Hindustan Socialist Republican Association
iconic performance
image-functions
image-text
Jeffrey John Barnes
Le Blanc
Lebanese Comics
Lena Irmgard Merhej
manga
Massimo di Ricco
Mazen Kerbaj
memory and trauma in art
Michelle Bumatay
Mimetic Approximation
narratives of freedom
narratives of resistance
narratives of rights
Non-state Armed
Pia Mukherji
political system
postcolonial comic cultures
postcolonial graphic storytelling scholarship
Postcolonial Theorist Homi Bhabha
postcolonialism
Pramod K. Nayar
Roman Rosenbaum
Routledge Research in Postcolonial Literatures
Sacco's Comics
Sacco's Work
Sacco’s Comics
Sam Knowles
social text
the postcolonial condition
Tintin Au Congo
transnational comics research
Veronique Bragard
visual culture analysis
visual grammar
Young Man
Zionist Settler Colonialism

Product details

  • ISBN 9780367668853
  • Weight: 680g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection examines new comic-book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. The individual chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in twenty-first-century (con)texts.

The authors demonstrate that the fields of comic-book production and circulation in various regional histories introduce new postcolonial vocabularies, reconstitute conventional "image-functions" in established social texts and political systems, and present competing narratives of resistance and rights. In this sense, postcolonial comic cultures are of particular significance in the context of a newly global and politically recomposed landscape.

This volume introduces a timely intervention within current comic-book-area studies that remain firmly situated within the "U.S.-European and Japanese manga paradigms" and their reading publics. It will be of great interest to a wide variety of disciplines including postcolonial studies, comics-area studies, cultural studies, and gender studies.

Binita Mehta is Professor of French and Director of the International Studies Program at Manhattanville College, U.S. where she teaches a variety of courses in French language, literature, and film. She is the author of Widows, Pariahs, and ‘Bayadères’: India as Spectacle (2002) and has published several articles and book chapters on French and Francophone literature and film, South Asian diasporic cinema, and on the Francophone bande dessinée.

Pia Mukherji earned her doctorate in English Literature from the Graduate School and University Center of the City University of New York, U.S. Her research and publications are in the areas of British modernism, new-media texts, and diasporic cultures. She has taught a variety of courses on modernism, postcolonial literatures, film studies, and writing in the New York and Boston areas.