Postfeminism and Paternity in Contemporary US Film

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A01=Hannah Hamad
African American Fatherhood
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cinema
cinematic tropes masculinity
contemporary American cinema
Contemporary Popular Cinema
cultural discourse analysis
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knocked up
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Male Melancholia
masculine
masculinity
masculinity studies
media studies pedagogy
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Popular Cinema
Postfeminist Culture
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Product details

  • ISBN 9781138710108
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Feb 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book interrogates representations of fatherhood across the spectrum of popular U.S. film of the early twenty-first century. It situates them in relation to postfeminist discourse, identifying and discussing dominant paradigms and tropes that emerge from the tendency of popular cinema to configure ideal masculinity in paternal terms. It analyses postfeminist fatherhood across a range of genres including historical epics, war films, westerns, bromantic comedies, male melodramas, action films, family comedies, and others. It also explores recurring themes and intersections such as the rejuvenation of aging masculinities through fatherhood, the paternalized recuperation of immature adult masculinities, the relationship between fatherhood in film and 9/11 culture, post-racial discourse in representations of fatherhood, and historically located formations of fatherhood. It is the first book length study to explore the relationship between fatherhood and postfeminism in popular cinema.

Hannah Hamad is Lecturer in Film Studies at King’s College London, UK.

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