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Postmodernity's Musical Pasts
Postmodernity's Musical Pasts
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€107.99
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A32=Beate Kutschke
A32=Daniella Fugellie
A32=Georg Burgstaller
A32=John Koslovsky
A32=Joshua S. Walden
A32=Laurenz Lütteken
A32=Lawrence Kramer
A32=Max Noubel
A32=Tina Fruehauf
Age Group_Uncategorized
Age Group_Uncategorized
Alfred Schnittke
automatic-update
avant-garde
B01=Tina Frühauf
Category1=Non-Fiction
Category=AVA
Chile
COP=United Kingdom
Delivery_Delivery within 10-20 working days
ecocriticism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Germany
historicity
Johann Sebastian Bach
John Adams
Language_English
London
Ludwig van Beethoven
music
musicology
nostalgia
PA=Available
postmodernism
Price_€100 and above
PS=Active
softlaunch
temporality
Theodor W. Adorno
time
USA
Wolfgang Amadeus Mozart
Product details
- ISBN 9781783274963
- Weight: 614g
- Dimensions: 156 x 234mm
- Publication Date: 20 Mar 2020
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. These provide insights how the progression of time and history can be conceptually understood after 1945.
Postmodernity's Musical Pasts relies on an extensive and varied spectrum of topics, from both the centre and the periphery of the musicological canon, that mirror the eclectic and diverse nature of the postwar era itself. The first section, 'Time and the (Post)Modern', investigates how to understand manifestations of the past in musical composition with regard to time, on the one hand, and with regard to genre, style, and idiom, on the other. The second section, 'Manifestations of History', shows how time and history manifest themselves in art music. A third section, 'Receptions of the Past', takes the contrasts and transitional moments of post-1945 practices further by looking at the temporality of reception from different angles. A final part investigates questions of nostalgia and the temporalities of belonging. The volume subverts the understanding of temporality as linear progression of past, present, and future. It offers new avenues of conceptual thinking relevant for those engaged in the study of music history and culture and for the humanities at large.
TINA FRÜHAUF is Adjunct Assistant Professor at Columbia University, New York and serves on the faculty of The Graduate Center, CUNY. BEATE KUTSCHKE is Privatdozent in Music at the University of Salzburg. Katherine Butler is Senior Lecturer in Music, Northumbria University.
Postmodernity's Musical Pasts
€107.99
