Postsocialist Cinema in Post-Mao China
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A01=Chris Berry
Apprentice Character
Author_Chris Berry
Bitter Love
Category=ATF
Category=GTM
Category=JBCC
Category=JBCT
Category=NH
Chen Huangmei
chinese
Civil Society
cultural
Cultural Revolution Decade
didactic
Didactic Paradigm
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fourth National People's Congress
Fourth National People’s Congress
Hollywood Classical Cinema
Hua Guofeng
legend
Li Shuangshuang
Lin Jie
Luo Qun
Lushan Mountain
Ma Ning
Main Characters
Mainland Chinese Cinema
Mao's Wife Jiang Qing
Mao’s Wife Jiang Qing
mountain
October Storm
paradigm
Party State Apparatus
People's Republic Today
People’s Republic Today
revolution
shuangshuang
Socialist Tragedy
Stage Sisters
tianyun
Tianyun Mountain
Wang Hongwen
yao
Young Man
Product details
- ISBN 9780415947862
- Weight: 476g
- Dimensions: 156 x 234mm
- Publication Date: 29 Jun 2004
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the "Fifth Generation" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.
