Postwar British Literature and Postcolonial Studies

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A01=Graham MacPhee
Author_Graham MacPhee
Category=DSBH
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
postcolonial
postwar

Product details

  • ISBN 9780748639007
  • Weight: 442g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Jun 2011
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Examines the legacy of imperialism and decolonisation, globalisation and national identityGraham MacPhee explains how postwar writers blended the experimentalism of prewar modernism with other cultural traditions to represent both the pain and the pleasures of multiculturalism. He discusses a wide range of writers, from Auden, Orwell, T.S. Eliot and Larkin to Linton Kwesi Johnson, Tony Harrison, Kazuo Ishiguro and Ian McEwan.Key Features* Explores concepts and critical terms such as 'British national literature', 'new ethnicities', 'migrancy' and 'hybridity'* Case studies of postwar texts include: Sam Selvon's The Lonely Londoners, John Arden's Serjeant Musgrave's Dance, Linton Kwesi Johnson's Dread Beat an' Blood, Tony Harrison's V, Kazuo Ishiguro's The Remains of the Day, Leila Aboulela's Minaret and Ian McEwan's Saturday
Graham MacPhee is Assistant Professor of English at West Chester University. He is the author of The Architecture of the Visible: Technology and Urban Visual Culture (Continuum, 2nd edn, 2007) and co-editor, with Prem Poddar, of Empire and After: Englishness in Postcolonial Perspective (Berghahn, 2007).

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