Power and Fluidity of Girlhood in Henry Darger’s Art

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A01=Leisa Rundquist
American Folk Art Museum
Ars
art and gender
art and race
Art Brut
Art Historian Alois Riegl
art history
Author_Leisa Rundquist
Category=AGA
Category=AGB
Category=JBF
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Catholic saints
childhood
childhood representation
childhood studies
children
Christ Child
Coloring Books
Comic Strips
Cone Flowers
contemporary art
Crown Daisy
Cute Object
cuteness
cuteness power
Darger's little girl imagery
Ef Ficacy
eq_art-fashion-photography
eq_bestseller
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eq_isMigrated=2
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Fairy Tale
Female Martyrs
Female Saints
folk art
Follow
Fresh Pine
Freud
Fyodor Dostoevsky
gender binary
gender nonconformity
gender studies
Girl Body
girlhood
Henry Darger
Henry Darger's art
Holy Card
iconography studies
innocence
intersex
Intersex Characteristics
intersex imagery in outsider art
male genitalia
material culture
outsider art
piety
popular culture
psychological symbolism
race
race studies
religiosity
Super Hero
United States
Vincent Van Gogh
visual culture analysis
visual narrative research
Vivian Girl
Vivian girlhood
Wee Willie Winkie

Product details

  • ISBN 9781138314559
  • Weight: 660g
  • Dimensions: 138 x 216mm
  • Publication Date: 06 Apr 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is the first to examine Henry Darger’s conceptual and visual representation of “girls” and girlhood.

Specifically, Leisa Rundquist charts the artist’s use of little girl imagery—his direct appropriations from mainstream sources as well as girls modified to meet his needs—in contexts that many scholars have read as puerile and psychologically disturbed. Consequently, this inquiry qualifies the intersexed aspects of Darger’s protagonists as well as addresses their inherent cute and little associations that signal multivocal meanings often in conflict with each other. Rundquist engages Darger’s art through thematic analyses of the artist’s writings, mature works, collages, and ephemeral materials.

This book will be of particular interest to scholars in art history, art and gender studies, sociology, and contemporary art.

Leisa Rundquist is a Professor of Art History in the Department of Art and Art History at the University of North Carolina Asheville, USA.

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