Practical Art of Motion Picture Sound

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ADR synchronization
advanced film sound design processes
Assistant Sound Editor
audio postproduction techniques
audio restoration methods
Author_David Lewis Yewdall
Boom Operator
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Category=ATF
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Category=ATL
cinematic sound workflows
DAT Recorder
Dialog Editor
Dialog Track
Digital Peak Meter
Edge Code Numbers
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film audio engineering
Foley Artist
Foley Stage
Head Mixer
Motion Picture Sound
Picture Editor
Playback
Pro Tools
Pro Tools Session
Rerecording Mixer
Rerecording Stage
Select Switch
Sound Cues
Sound Editor
Sound Effects Editing
sound mixing technology
Spotting Sessions
Supervising Sound Editor
Temp Dub
Young Man

Product details

  • ISBN 9780240812403
  • Weight: 1400g
  • Dimensions: 191 x 235mm
  • Publication Date: 20 May 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Practical Art of Motion Picture Sound, 4th edition relies on the professional experience of the author and other top sound craftspeople to provide a comprehensive explanation of film sound, including mixing, dubbing, workflow, budgeting, and digital audio techniques. Practically grounded with real-world stories from the trenches throughout, the book also provides relevant technical data, as well as an appreciation of all the processes involved in creating optimal motion picture sound.

New to this edition are exclusive sound artist lessons from the field (including 2 new production cases studies), including insight from craftspeople who have worked on the latest Harry Potter and Batman films. All technological changes have been updated to reflect the most current systems.

**Please visit the book's website, www.focalpress.com/cw/yewdall to download the Yewdall Sound FX Library.**

David Lewis Yewdall, MPSE, is a veteran of over 140 theatrical motion pictures, most of which are listed on IMDB.com, has been a member of the Academy of Motion Picture Arts and Sciences since 1984, has been a member of the Motion Picture Sound Editor’s Society since 1986 and was a member of the faculty of the film school of North Carolina School of the Arts from 2000–2010.

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