Practicing Art/Science

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Anceschi
artistic epistemology
Artistic Research
Artistic Research Education
Arts Based Research
Arts Based Research Project
Audiovisual Installation
Azalea Seratoni
Bern University
Bernd Kraftner
Bernhard Bohm
Bologna Reforms
Category=AGA
Category=JHB
Category=PDA
Category=PDX
Category=QD
Contemporary Societies
Conversational Version
Davide Fornari
Dirk vom Lehn
Epistemic Thing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
ethnography
Fernando Dominguez Rubio
Georgina Born
Guelfo Carbone
Hamburger Kunsthalle
Handheld Mirror
Hans-Jorg Rheinberger
Higher Arts Education
Hybrid Heuristics
hybrid knowledge production
Interactive Artworks
interdisciplinary art science collaboration
Investigating Art
Investigating Art/Science Collaborations
Investigating ArtScience Collaborations
Johanne Mohs
laboratory studies
material analysis methods
Michael Lynch
Mick Wilson
Nathalie Heinich
Open Source
Open Source Hardware
Open Source Model
Optometric Practice
Part III
PhD Education Level
Philippe Sormani
Poplar Panel
Practice Based Research Education
practice theory
Priska Gisler
Projection Wall
Revisiting Practice at the Intersection of the Arts and Sciences
science and technology studies
Science Collaborations
Serena Cangiano
transdisciplinary research
Yael Kreplak

Product details

  • ISBN 9780367486679
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Feb 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work?

In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation.

In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.

Philippe Sormani is Board member of the Science and Technology Studies Lab at the University of Lausanne, Switzerland; and affiliated researcher at the Institut Marcel Mauss, EHESS, in Paris, France Guelfo Carbone holds a PhD in Philosophy and History of Philosophy (Sapienza University of Rome), and is a member of the Editorial Board of the philosophical Journal "Pólemos. Materiali di filosofia e critica sociale". Priska Gisler is head of the research cluster Intermediality at University of the Arts, Bern, Switzerland, and board member of the Swiss Artistic Research Network (SARN).