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A01=Katherine Whitehurst
African American Community
African American Girl
African-American
Age Group_Uncategorized
Age Group_Uncategorized
American Youth Cinema
Author_Katherine Whitehurst
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B09=Sian Lincoln
B09=Yannis Tzioumakis
Black Children
Black feminist scholarship
Black Girl
Business Source Complete Database
Category1=Non-Fiction
Category=APFA
Category=ATJ
Category=H
Category=JBCT
Category=JFCA
Category=JFD
Category=JHB
Colour Blind Discourses
Colour Blind Racism
COP=United Kingdom
critical race theory
Dark Skinned African Americans
Delivery_Pre-order
DVD Extra
Education System
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Extended Intertextual Engagement
film adaptations
film culture
Film Reviews
Film's Depiction
Film's Engagement
Film’s Depiction
Film’s Engagement
Girlhood Films
intersectionality studies
Language_English
Main Character
Male African American Youths
Mary's Account
Mary’s Account
media representation
neoliberal discourse analysis
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Price_€20 to €50
PS=Forthcoming
Push by Sapphire
qualitative film analysis
race and ethniticy
race in film
racial identity in youth cinema
Racial Ventriloquism
Sapphire
Saviour Teacher
softlaunch
Southern Wild
Teen Film
White Western
youth cinema
youth cultures
Youth Film

Product details

  • ISBN 9781032209487
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Examining how the discourses of youth, race, poverty and identity take shape when Push is adapted to the big screen, this book brings together valuable research to delve into representations of African-American girlhood.

The book draws attention to how Black girlhood takes shape in the film under the dominant White discourses that racialise non-White bodies, and examines how these discourses inform a critical reception of the film and Precious, as a Black girl. Through a consideration of Black culture and heritage, it questions what narratives of girlhood, growth and development are afforded to the main character, in a film that is informed by neoliberal and colour-blind discourses. Highlighting the social context in which Precious was received, the book draws attention to how a discussion of Precious in the critical press gives insight into the racial politics that were dominant at the time of the film’s release. It considers whether race impacts how the film engages with, reflects and moves beyond conventions within the genre of youth film.

Concise and engaging, this vital book sheds light on underrepresented areas of film studies that make it an invaluable resource for students and scholars of film, race and youth cultures.

Katherine Whitehurst is a lecturer in media and film at the University of Liverpool. Her research centres on adaptation; fairy tales; child, youth and age studies; screen and literature; girlhood and identity; cultural memory; feminism; and gender.

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