Preface to Shakespeare's Comedies

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A01=Michael Mangan
Author_Michael Mangan
Battle Between Carnival And Lent
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Category=AB
Category=ATD
Category=DDA
Christmas Gambol
comedy
Court Fool
critical approaches to Shakespearean comedy
Cross-dressing Plot
dramatic theory research
Duke Senior
Duke Theseus
early modern drama
Elizabethan social context
Elizabethan Theatre
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Independent Woman
Jacobean audience studies
Kate's Final Speech
Kate’s Final Speech
labour's
Lear's Fool
Lear’s Fool
Lord Chamberlain's Men
Lord Chamberlain’s Men
lost
love's
Love's Labour
Love's Labour's Won
Midsummer
Midsummer Night's Dream
nick
night
Peter Quince
Philip Stubbes
Shakespeare's Comedies
Shakespeare's Early Comedies
shakespearean
Shakespeare’s Comedies
Shakespeare’s Early Comedies
Sir Andrew Aguecheek
Sir Toby Belch
Sir Topas
stage fool archetypes
Tarlton's Jests
Tarlton’s Jests
theatrical humour analysis
twelfth
Twelfth Night
Young Men

Product details

  • ISBN 9781138162303
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Jan 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context.

Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.

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