20th century
A01=Ralph Ubl
art
artist
artwork
Author_Ralph Ubl
avant-garde
Category=AFC
Category=AGA
Category=AGB
collages
cultural movement
dada
drawings
element of surprise
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
freud
freudian psychoanalysis
frontage
grattage
historical
history
irrationality
juxtaposition
max ernst
nonsense
painter
painting
protest
replication
scientific illustrations
screen image
simulation
surrealism
surrealist automatism
trauma
unconscious
Product details
- ISBN 9780226823720
- Weight: 907g
- Dimensions: 19 x 23mm
- Publication Date: 06 Nov 2013
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
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One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma - to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged-rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory.
Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism.
Ralph Ubl is professor of art history at the University of Basel in Switzerland. Elizabeth Tucker translates German with a specialization in the history and theory of art and architecture. Her recent books include Las Vegas in the Rearview Mirror and Cindy Sherman: The Early Works, 1975-1977: Catalogue Raisonne.
