Premodern History and Art through the Prism of Gender in East-Central Europe
Regular price
€107.99
14 days return policy
Shipping & Delivery
A32=Daniela Rywiková
A32=Jan Dienstbier
A32=Jennifer Vlcek Shurr
A32=Martin orm
A32=Michaela Antonín Malaníková
A32=Milena Bartlová
A32=Tereza Kalousková
A32=Vera Soukupová
Age Group_Uncategorized
Age Group_Uncategorized
art history
automatic-update
B01=Daniela Rywiková
B01=Michaela Antonín Malaníková
Category1=Non-Fiction
Category=AC
Category=AGA
Category=HBJD
Category=JBSF
Category=JBSF1
Category=JFSJ
Category=JFSJ1
Category=NHDJ
Central Europe
COP=United States
Czech Art
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gender History
gender studies
Historiography
Language_English
Medieval History
PA=Available
Pre-modern History
Price_€50 to €100
PS=Active
softlaunch
Visual Arts
Women's History
Product details
- ISBN 9781666905236
- Weight: 630g
- Dimensions: 160 x 227mm
- Publication Date: 15 Dec 2021
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Premodern History and Art through the Prism of Gender in East-Central Europe is a representative collection of current Czech research in premodern history and art history, using gender as a tool of analysis. The common denominators of the texts collected in this volume are the art history of the premodern period, gender perspectives, and, to a certain degree, the Czech milieu. The book is divided into four parts, based on area of interest, time frame, and research perspective. The first part sheds light on the state of research in the field of women's history—along with the implementation of the concept of gender—and highlights a certain paradigmatic conservatism of Czech art historiography. The second gathers contributions that analyze visual sources of Czech origin. The third includes texts that analyze gender issues on the level of literary representation. The final part presents two case studies that involve analysis of the premodern West European source base. Rywiková and Malaníková present this volume as an innovative way to introduce this specific segment of Central European art history to a broader audience in global academia.
Michaela Antonín Malaníková is assistant professor of medieval history at Palacký University Olomouc.
Daniela Rywiková is assistant professor of art history at the University of Ostrava.
