Preserving Popular Music Heritage

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Alternative histories
Amanda Brandellero
Anja Lobert
archivists
Arno van der Hoeven
Australian Country Music Hall
Australian Jazz
Barrie Brennan
Beatles
Beatles Heritage
Bill Odidi
Category=AB
Category=AVLP
Category=GLZ
Category=JBCC
Category=JBS
Category=NH
Cavern City Tours
community heritage projects
Coromoto Jaraba
Country Music
cultural memory studies
cultural studies
curators
Dave Allen
DIY
DIY Archive
DIY Heritage
DIY Institution
DIY Practitioner
DIY Preservationist
Emmanuel Parent
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
fan-based
fan-driven collections
fans
feminist musicology
Gerome Guibert
grassroots music preservation initiatives
heritage studies
Jez Collins
John Collins
Kenyan Music
Kenyan Popular Music
Marion Leonard
Mark Duffett
museum collaboration
music archives
music archiving
music heritage
Music Heritage Sites
music institutions
music preservation
NA Lisa Busby
National Jazz Archive
National Library
new wave
Oliver Carter
Open Source Software
Paul Long
popular music
Popular Music Archives
Popular Music Heritage
Popular Music's Material
Popular Music's Material Culture
Popular Music's Material Past
Popular Music’s Material
Popular Music’s Material Culture
Popular Music’s Material Past
post-punk
pro-am
punk
Ray Sutton
rock and roll
rock heritage
Rosa Reitsamer
Sheryl Davis
South Australian Jazz Archive
Stephanie Fremaux
Susanne Janssen
Take That
Texas Country Music Museum
Toni Sant
UK Music
Victorian Jazz Archive
William "TabuOsusa

Product details

  • ISBN 9781138781436
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 May 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world.

This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.

Sarah Baker is an Associate Professor in Cultural Sociology at Griffith University, Queensland, Australia.