Press and Popular Culture in Interwar Europe

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Beaverbrook Papers
Berliner Illustrierte Zeitung
Category=GTC
Category=JBCT
Category=JPWC
Category=KNTP2
Category=NHD
Category=NHTB
Chambre Syndicale
comparative press culture research
Consumption of News
Croix De Feu
Cultural History
David Low
Eastern European Nation States
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European political communication
Faits Divers
Fashion Business
Fashion Press
Gossip Columnist
Haute Couture
Haute Couture Houses
History of Newspapers
human interest reporting
interwar journalism studies
Journalism
La Femme
Laura Beers
Le Flambeau
Londoner's Diary
Londoner’s Diary
mass media history
Matt Houlbrook
media and fascism
Memphis Press Scimitar
news agency networks
Newspaper Gossip Column
Political Cartoon
Politicization of Journalism
Sarah Newman
Solo Syndication
TNA
Ultra-violet Rays
War Time
Young Man

Product details

  • ISBN 9781138305014
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 16 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection shows the importance of a comparative European framework for understanding developments in the popular press and journalism between the wars. This was, it argues, a formative and vital period in the making of the modern press. A great deal of fine scholarship on the development of modern forms of journalism and newspapers in the nineteenth and twentieth centuries has emerged within discrete national histories. Yet in bringing together essays on Britain, France, Germany, Italy and Poland, this book discerns points of convergence and divergence, and the importance of the European context in shaping how news was defined, produced and consumed.

Challenging the tendency of histories of the press to foreground processes of ‘Americanisation’ and the displacement of older notions of the ‘fourth estate’ by new forms of human interest journalism, the chapters draw attention to the complex ways in which the popular press continued to be politicized throughout the interwar period. Building on this analysis, the book examines the forms, processes and networks through which newspapers were produced for public consumption. In a period of massive social, political and economic upheaval and conflict, the popular press provided a forum in which Europe’s meanings and nature could be constructed and contested. The interpersonal, material and technological links between newspapers, news corporations and news agencies in different countries served to define the outlines of Europe. Europe was called into being through the circulation of news and the practices and networks of the modern mass press traced in this volume. This publication is highly relevant to scholars of the history of journalism and cultural historians of interwar Britain and Europe.

This book was originally published as a special issue of Journalism Studies.

Sarah Newman has recently completed her doctorate The Celebrity Gossip Column and Newspaper Journalism in Britain, 1918-1939 at Linacre College, University of Oxford, UK. Her research interests lie in the social and cultural history of twentieth-century Britain, particularly the history of newspaper journalism, popular print and celebrity culture. Matt Houlbrook is Senior Lecturer in Modern British History at the University of Birmingham, UK. He works on the cultural history of 20th century Britain, with particular interests in gender, sexuality and selfhood. He is the author of Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-57 and is currently finishing a book called The Prince of Tricksters: Cultures of Confidence in Interwar Britain.