Pretend Play As Improvisation

Regular price €62.99
A01=R. Keith Sawyer
Author_R. Keith Sawyer
Category=CFG
Category=DS
Category=JMA
Category=JMC
Category=JMH
child's
Children's Social Play
classroom
Collective Style
Doll Corner
Eddy's Turn
entry
Entry Attempts
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Event Level Analysis
frame
Friendship Index
group
Group Episode
Implicit Metacommunication
Implicit Strategies
improvisational
Improvisational Performers
Indirect Style
metapragmatic
Metapragmatic Function
Metapragmatic Level
Metapragmatic Strategies
Play Entry
Play Episodes
Play Frame
Play Group Age
preschool
Pretend Play
social
Social Pretend Play
Sociodramatic Play
Speech Act Theory
strategies
Teenage Mutant Ninja Turtles
Unpopular Children

Product details

  • ISBN 9781138995260
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Everyday conversations including gossip, boasting, flirting, teasing, and informative discussions are highly creative, improvised interactions. Children's play is also an important, often improvisational activity. One of the most improvisational games among 3- to 5-year-old children is social pretend play--also called fantasy play, sociodramatic play, or role play. Children's imaginations have free reign during pretend play. Conversations in these play episodes are far more improvisational than the average adult conversation. Because pretend play occurs in a dramatized, fantasy world, it is less constrained by social and physical reality.

This book adds to our understanding of preschoolers' pretend play by examining it in the context of a theory of improvisational performance genres. This theory, derived from in-depth analyses of the implicit and explicit rules of theatrical improvisation, proves to generalize to pretend play as well. The two genres share several characteristics:
* There is no script; they are created in the moment.
* There are loose outlines of structure which guide the performance.
* They are collective; no one person decides what will happen.
Because group improvisational genres are collective and unscripted, improvisational creativity is a collective social process.

The pretend play literature states that this improvisational behavior is most prevalent during the same years that many other social and cognitive skills are developing. Children between the ages of 3 and 5 begin to develop representations of their own and others' mental states as well as learn to represent and construct narratives. Freudian psychologists and other personality theorists have identified these years as critical in the development of the personality. The author believes that if we can demonstrate that children's improvisational abilities develop during these years--and that their fantasy improvisations become more complex and creative--it might suggest that these social skills are linked to the child's developing ability to improvise with other creative performers.