Principles of Dramaturgy

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advanced dramaturgy training
American Repertory Theatre
Author_Robert Scanlan
Bald Soprano
Burke's Pentad
Burke’s Pentad
Category=ATD
Complete Action
Dead Awaken
Diagram
Dramaturgy
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eq_nobargain
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Form
Formal Mastery
Good Dramaturg
Gotthold Ephraim Lessing
Grape Vine
Hamburg Dramaturgy
Hamburgische Dramaturgie
Knee Plays
Laugh Line
Lessing's Play
Lessing’s Play
Medicine Ball
Minna Von Barnhelm
performance events
performance studies
play structure analysis
Playwrights
Plot-Bead
plot-bead technique
Practical Dramaturgy
Principles
Production
Production Dramaturg
Production Dramaturgy
Professional Dramaturg
professional theatres
Rehearsal Hall
rehearsal process
script analysis
stage direction methods
Stage Event
Theatre II
theatre theory

Product details

  • ISBN 9781032091471
  • Weight: 180g
  • Dimensions: 138 x 216mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality.

This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy.

Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.

Robert Scanlan is a theatre director and Artistic Director of The Poets’ Theatre. He has been teaching at Harvard University since 1989, first as the Literary Director of the American Repertory Theatre, where he headed the Dramaturgy and Playwriting Programs of the Institute for Advanced Theatre Training at Harvard. He later became Professor of the Practice of Theatre in the Department of English and chaired Harvard’s Committee on Dramatics.

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