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Print and Power in France and England, 1500-1800
A01=Adrian Armstrong
Author_Adrian Armstrong
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Burgundian Netherlands
Category=DSB
Category=KNTP1
Category=NHD
Cial Dress
claude
early modern media
Early Modern Universities
English Literary Criticism
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
foundation
Frederick III
George Chastelain
George Iii
Gr Av
Hand Press Period
hand-press period studies
immanuel
Immanuel Tremellius
imprimerie
Imprimerie Royale
intellectual elites publishing
Jean De Tournes
Jean Molinet
labrosse
laici
Les Illustrations De Gaule
literary criticism theory
Mere Element
Mine Intent
MIT Press
Par
political communication history
print culture power dynamics
propaganda analysis
Qui
Rational Public Sphere
religio
Religio Laici
Rework Display
royale
tremellius
University Of Wisconsin
Vernacular Publication
voltaire
Product details
- ISBN 9780754655916
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 28 Sep 2006
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
David Adams is Professor of French Enlightenment Studies and Adrian Armstrong is Professor of French, both at the University of Manchester, UK.
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