Print Culture

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A01=Frances Robertson
Alois Senefelder
art
Author_Frances Robertson
blades
Category=JBCC
Colour Lithography
Computer Drawing Programme
Contemporary Society
cultural technology analysis
digital media history
engraving
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Experimental Typography
glasgow
Gm Crop
Graded Greys
Half Tone Image
Half Tone Printing
Half Tone Screens
Hand Crafts
Hand Set
Hand Setting
Health Information Poster
history of print technologies
Information Overload
letterpress
Lithographic Printing
Mass Observation
material text studies
media archaeology
nineteenth-century publishing
photomechanical
Photomechanical Reproduction
Print Culture
Private Press Movement
Professional Graphic Designers
Protect IP Act
reproduction
school
SOPA
Sven Birkerts
Tom Gretton
visual communication theory
william
wood

Product details

  • ISBN 9780415574167
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 Nov 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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With the advent of new digital communication technologies, the end of print culture once again appears to be as inevitable to some recent commentators as it did to Marshall McLuhan. And just as print culture has so often been linked with the rise of modern industrial society, so the alleged demise of print under the onslaught of new media is often also correlated with the demise of modernity.

This book charts the elements involved in such claims—print, culture, technology, history—through a method that examines the iconography of materials, marks and processes of print, and in this sense acknowledges McLuhan’s notion of the medium as the bearer of meaning. Even in the digital age, many diverse forms of print continue to circulate and gain meaning from their material expression and their history. However, Frances Robertson argues that print culture can only be understood as a constellation of diverse practices and therefore discusses a range of print cultures from 1800 the present ‘post-print’ culture.

The book will be of interest to undergraduate and postgraduate students within the areas of cultural history, art and design history, book and print history, media studies, literary studies, and the history of technology.

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