Printed Images in Early Modern Britain

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Ad Vivum
Adriaen Collaert
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B01=Michael Hunter
ballads
Bm Satire
British art history
broadside
Broadside Ballad
Category1=Non-Fiction
Category=ACN
Category=ACQ
Category=AFH
Category=AGA
Charles I
Christian Prayers
Claes Jansz
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David Loggan
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Dense
early modern satire
Emblem Books
engraved
Engraved Title Pages
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faithorne
Gesner's Works
Gesner’s Works
Henry Brome
historical printmaking
iconography analysis
interpretation of seventeenth-century engravings
Jacques Callot
john
Language_English
Liber Secundus
Lining Papers
Monasticon Anglicanum
overton
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pages
Paper Hangings
Portrait Engraved
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religious symbolism
Royal Society Fellows
Sachiko Kusukawa
Society Of Jesus
softlaunch
title
Van Der Vinne
visual culture studies
wenceslaus
william
William Faithorne
Young Man

Product details

  • ISBN 9780754666547
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 28 Apr 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
Michael Hunter is Professor of History at Birkbeck, University of London, UK