Private Collector's Museum

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Georgina Walker
American Stock Exchange
art philanthropy
Author_Georgina Walker
Bavarian State Painting Collections
Braque
Category=GLZ
collection management
collector's legacy
cultural arbiters
cultural capital
David Chipperfield Architects
De Menil
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
Georges Braque
Grand Avenue
Hertford House
Home Town
House Museum
Main Capital Cities
Menil Collection
Menil Foundation
Museum Folkwang
museum studies
Nation's Cultural Landscape
Nation’s Cultural Landscape
Neue Pinakothek
patronage history
philanthropy
Pinakothek Der Moderne
private art institutions
Private Museum
private museums
Private Operating Foundation
Public Museum
Public Museum Sector
Sir John Soane's Museum
Sir John Soane’s Museum
Staatliche Kunsthalle
transformation of private collections
Wallace Collection
Walters Art Museum

Product details

  • ISBN 9781138555358
  • Weight: 612g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction.

By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private–public engagement in general.

Providing a new analysis of philanthropy, public access and the museum, The Private Collector’s Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues.

Georgina S. Walker is an Honorary Fellow at the University of Melbourne, Australia. She teaches in Art History, Curatorial and Museum Studies and her research interests include the recent and fast-growing number of private, state and international museums that have emerged in China and the Gulf Region.

More from this author