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!Women Art Revolution
1970s avant-garde
A01=Lynn Hershman Leeson
activism in art
AI in culture
alternative spaces
archival projects
artificial intelligence
Author_Lynn Hershman Leeson
Berkeley 1960s
bio art
Category=AFJ
Category=AGB
Category=DNC
Category=JBSF11
conceptual feminism
conceptual practices
contemporary movements
creative autonomy
creative resistance
cultural innovation
cyberculture
cyberfeminism
digital feminism
digital identity
Eleanor Coppola
Electronic Diaries
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
experimental cinema
feminist art
feminist documentary
feminist history
feminist memoir
George Lucas
hacker culture
hybrid identities
identity performance
identity politics
immersive experience
institutional critique
interactive installations
interactive storytelling
Lynn Hershman Leeson
media art
performance
political expression
posthumanism
radical creativity
Roberta Breitmore
San Francisco scene
sci-fi narratives
speculative futures
surveillance culture
technology and creativity
Teknolust
Tilda Swinton
trauma and memory
virtual reality
women artists
women in technology

Product details

  • ISBN 9798988670087
  • Dimensions: 159 x 238mm
  • Publication Date: 18 Dec 2025
  • Publisher: ZE Books
  • Publication City/Country: US
  • Product Form: Hardback
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A visionary life at the intersection of art, technology, and feminism.

In Private I, Lynn Hershman Leeson — one of the most influential conceptual artists of our time—shares her personal journey and the struggle for her visionary work to be recognized as art. In the 1970s, women artists were often dismissed unless linked to more successful male counterparts. Defying this marginalization, Hershman Leeson carved her own path, creating groundbreaking conceptual works such as her Roberta Breitmore series, the Video Diaries, and films starring Tilda Swinton, including Conceiving Ada and Teknolust. Her innovative installations took place in unconventional venues—hotels, department store windows, San Quentin State Prison, and housing projects—while she raised her daughter and endured long periods of poverty.

To support fellow artists, she launched The Floating Museum, bringing site-specific art to reclaimed public spaces. She was also one of the first to document women artists’ lives and work in her acclaimed documentary !W.A.R. (Women, Art, Revolution). Private I traces her lifelong commitment to experimentation—embracing film, video, AI, chatbots, touch screens, even her own DNA—to challenge ideas of identity and warn of the perils of technology and surveillance. At its core, Private I is a moving portrait of resilience, artistic innovation, and personal transformation through friendship, family, and fearless creativity.

Over the last five decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her art and films. Hershman Leeson is widely recognized for her innovative work investigating issues including: the relationship between humans and technology, identity, surveillance, and the use of media as a tool of empowerment against censorship and political repression.

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