Private Sphere to World Stage from Austen to Eliot

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A01=Elizabeth Sabiston
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British Victorian literature
Captain Benwick
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Catherine Arrowpoint
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Daniel Deronda
Dead Man
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Eleanor Tilney
Emily Bronte
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Female Quixote
feminist literary criticism
gender and authorship
General Tilney
Gwendolen Harleth
Henry Tilney
James's Isabel Archer
Job Legh
Language_English
Linton Heathcliff
Lockwood's Dream
Male Pen Names
Mansfield Park
Marianne Dashwood
narrative voice in fiction
Nelly Dean
Nineteenth Century Women Novelists
nineteenth-century women writers
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Rosamond Vincy
Shirley Keeldar
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transatlantic literary studies
Uncle Tom's Cabin
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Wuthering Heights
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Product details

  • ISBN 9781138620216
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Emily Dickinson's poem, 'This is my letter to the World/ That never wrote to Me --', opens the Introduction, which focuses on the near-anonymity of nineteenth-century women novelists. Close readings of works by five British novelists Jane Austen, Charlotte and Emily Brontë, Elizabeth Gaskell, and George Eliot offer persuasive accounts of the ways in which women used stealth tactics to outmaneuver their detractors. Chapters examine the 'hidden manifesto' in Austen's works, whose imaginative heroines defend women's writing; the lasting impact of Jane Eyre, with its modest heroine who takes up the pen to tell her own story, even on male writers outside the English tradition; Cathy's testament as the 'ghost-text' of Wuthering Heights; and the shifting gender roles in Daniel Deronda, with its silenced heroine and androgynous hero. Though the focus is on British novelists, the author's discussion of the Anglo-American connections in the factory novels of Elizabeth Gaskell and the slavery writings of Harriet Beecher Stowe has particular relevance for its demonstration of how the move from the private to the public sphere enables and even compels the blurring of national and ethnic boundaries. What emerges is a compelling argument for the relevance of these novelists to the emergence in our own time of hitherto-silenced female voices around the globe.

Elizabeth Sabiston is Professor Emeritus and Senior Scholar (English Department) at York University, Toronto, Canada

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