Problem of Free Will in David Foster Wallace

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A01=Paolo Pitari
Anthony Giddens
Author_Paolo Pitari
Category=DSBH
Category=QDHR5
Christopher Lasch
Crime and Punishment
determinism ethics
Dostoevsky
Elizabeth Beck
Emanuele Severino
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
existentialism and free will debate
existentialist philosophy
Heidegger
Jean-Paul Sartre
literary sociology
Mikhail Bakhtin
modern existential thought
narrative morality analysis
philosophical pessimism
philosophy
The Pale King
Tolstoy
What is Art?
What is Literature?
Zygmunt Bauman

Product details

  • ISBN 9781032676678
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Jun 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book argues that David Foster Wallace failed to provide a response to the existential predicament of our time. Wallace wanted to confront despair through art, but he remained trapped, and his entrapment originates in the "existentialist contradiction": the impossibility of affirming the meaningfulness of life and an ethics of compassion while believing in free will.

To substantiate this thesis, the analysis reads Wallace in conversation with the existentialist philosophers and writers who influenced him: Søren Kierkegaard, Fyodor Dostoevsky, Martin Heidegger, Jean-Paul Sartre, Albert Camus, and Ludwig Wittgenstein. It compares his non-fiction with the sociologies of Christopher Lasch, Zygmunt Bauman, Ulrich Beck and Elisabeth Beck-Gernsheim, and Anthony Giddens. And it finds inspiration in Giacomo Leopardi, Friedrich Nietzsche, and Emanuele Severino to conclude that the philosophy which pervades Wallace’s works entails despair and represents the essence of our civilization’s interpretation of the world.

Paolo Pitari completed a joint PhD in English at the Ca’ Foscari University of Venice and at LMU Munich. He is the author of numerous academic articles in literature and philosophy. This research was funded by the University of Venice, the JFK Institute of Freie Universität Berlin, and the DAAD.

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