Problems for Feminist Criticism (RLE Feminist Theory)

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Agnes Wickfield
attic
Bella Wilfer
Betsy Trotwood
canonical texts critique
Category=JBCC
Category=JBSF
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Category=JBSJ
Category=JHBA
Category=NH
critics
De Hamal
eliot
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Erasmus's Folly
feminist literary methodologies debate
Feminist Poetry
Flora Finching
gender studies
george
gilbert
kate
Lady Chatterley's Lover
literary theory
Lucy Snowe
mad
millett
Milton's Eve
Milton's Poems
Milton's Texts
Miss Knag
Mistress Quickly
Mrs Bretton
Mrs Gamp
Mrs Jellyby
Mrs Lammle
Mrs Nickleby
Mrs Pardiggle
nineteenth-century novels
Plaster Of Paris
psychoanalytic approaches
RLE
Samson Agonistes
sandra
structuralist analysis
woman
Women's Poetry
Young Man

Product details

  • ISBN 9780415636780
  • Weight: 630g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Oct 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Feminist criticism has come a long way in the last twenty years. Its development has been rapid, its snowball progress picking up elements of structuralism, deconstruction and psychoanalytic criticism; just as rapidly it has been shedding its own early theories and methodologies. Now it is a critical orthodoxy with its own established canonical texts. Now is the time, then, to begin to question that orthodoxy. In Problems for Feminist Criticism five women critics seek to do that, in a spirit of enquiry whose central point of focus is the literature for which feminist critics have offered a re-reading.

By reference to a wide range of writers, from Milton to the contemporary poet, with a strong emphasis on the nineteenth-century novel, the contributors ask what we may be losing from literature by adopting the feminist orthodoxy. Each chapter provides a survey of feminist critical approaches to its subject and highlights the inherent problems. The book frees the way forward for critics who have found much that is stimulating and revealing in feminist approaches to literature, but who find its proscriptiveness potentially reductive. It shows how literature may have the flexibility to absorb and benefit from new critical approaches, whilst still retaining its own life, never quite to be contained in criticism’s theories and methodologies.