Procaccini and the Business of Painting in Early Modern Milan

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A01=Angelo Lo Conte
Accademia Del Disegno
Aegidius Sadeler
Aldrovandi
Annibale Carracci
art history
art market
art market dynamics
artistic entrepreneurship
artistic opportunities
artists
Author_Angelo Lo Conte
Baroque
Baroque art history
Bolognese Painters
Borromean era
bottega
business
Carracci
Carracci Academy
Category=AGA
Category=KJM
Category=NHD
De Agostini Picture Library
Decorative Campaigns
Della
Devotional Landscapes
entrepreneur
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Fabbrica Del Duomo
family
family workshop business models
Felsina Pittrice
international
Italy
Jan Brueghel
Lombard
Lombardy
Madonna Delle Grazie
Malvasia's Felsina Pittrice
Malvasia’s Felsina Pittrice
Milan
Milanese Artistic
Milanese history
Milanese Painting
Netherlands
Northern Italy
Oil On Canvas
painting business
patronage networks
Photo Credit
Pinacoteca Ambrosiana
Prado Museum
Procaccini brothers
religious art commissions
religious commissions
Renaissance
Rome
San Tommaso
San Vittore
Santa Maria Delle Grazie
seventeenth century
seventeenth-century Italy
Simon Vouet
Spain
Spanish rule

Product details

  • ISBN 9780367275389
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century.

The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets.

This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.

Angelo Lo Conte, PhD is Assistant Professor at Hong Kong Baptist University.

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