Production of Subjectivity in «The Diamond Age» by Neal Stephenson

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A01=Sarah Jonckheere
Affect theory
Author_Sarah Jonckheere
Category=DSB
Category=QD
Category=QDTN
Category=QDTQ
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction

Product details

  • ISBN 9783631727263
  • Weight: 260g
  • Dimensions: 148 x 210mm
  • Publication Date: 30 Jun 2017
  • Publisher: Peter Lang AG
  • Publication City/Country: CH
  • Product Form: Hardback
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The book brings to light Neal Stephenson’s answer to the technologically induced crisis in identity. The author of this book analyses the ethnocultural, technological, and ideological skeins that make up the biopolitical production of the self. The coming-of-age novel «The Diamond Age» reflects the processes surrounding the emergence of conscience. Through his inspired recycling of cultural traditions, Stephenson’s ethico-aesthetic engagement with technology, mass media, and literature advocates an epistemological change in being. This essay’s use of affect theory shows how a specific work informs literary theory and thinking, and how literature goes beyond reflecting the «zeitgeist» by offering creative ways to apprehend technology.

Sarah Jonckheere is a scholar at the University of Lille in France where she pursues a doctorate in Anglophone literature. Her work focuses on British and American literatures, literary theory, philosophy, and cinema as well as on affect theory.

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