Projecting a Camera

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A01=Edward Branigan
Absent Entities
Art Cinema
Author_Edward Branigan
basic
Basic Level Categories
Beautiful Animals
Camera
Camera Movement
categorization
Category=ATFA
cinematic ontology
Common Language
Container Schema
Counterclockwise
depth
effect
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film spectatorship
Film Theory
Filmic Point
Frame Lines
Generalized Camera
kinetic
level
Long Shot
meaning
Mild Realism
movement
narrative structure analysis
Ow
P E RC
Pe Rc
phenomenology of viewing
philosophy of film camera operation
physical
Physical Camera
radial
Radial Meaning
screen blankness interpretation
Single Lexical Entry
Ta Te
Threepenny Opera
Torben Grodal
Unmotivated Camera Movement
visual perception theory

Product details

  • ISBN 9780415942539
  • Weight: 725g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Jan 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film.

With its thorough grounding in the philosophy of spectatorship and narrative, Projecting aCamera takes the study of film to a new level. With the care and precision that he brought to NarrativeComprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.

Edward Branigan is Director of Graduate Studies and a Professor of Film Studies at the University of California, Santa Barbara, and is an attorney. He is the author of Point of View in the Cinema and Narrative Comprehension and Film, which was awarded the Katherine Singer Kovacs prize in Cinema Studies.

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