Projecting Citizenship

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A01=Gabrielle Moser
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Author_Gabrielle Moser
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Category1=Non-Fiction
Category=AJ
Category=HBJD1
Category=HBLW
Category=HBTB
Category=NHD
Category=NHTB
citizenship
Colonial Office
colonialism
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gender
geography studies
imperial citizenship
Language_English
lantern slide
magic lantern
national identity
PA=Available
photography
postcolonial theory
Price_€50 to €100
PS=Active
race
softlaunch
visual citizenship
visual instruction

Product details

  • ISBN 9780271081274
  • Weight: 748g
  • Dimensions: 178 x 254mm
  • Publication Date: 11 Jan 2019
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In Projecting Citizenship, Gabrielle Moser gives a comprehensive account of an unusual project produced by the British government’s Colonial Office Visual Instruction Committee at the beginning of the twentieth century—a series of lantern slide lectures that combined geography education and photography to teach schoolchildren around the world what it meant to look and to feel like an imperial citizen.

Through detailed archival research and close readings, Moser elucidates the impact of this vast collection of photographs documenting the land and peoples of the British Empire, circulated between 1902 and 1945 in classrooms from Canada to Hong Kong, from the West Indies to Australia. Moser argues that these photographs played a central role in the invention and representation of imperial citizenship. She shows how citizenship became a photographable and teachable subject by tracing the intended readings of the images that the committee hoped to impart to viewers and analyzing how spectators may have used their encounters with these photographs for protest and resistance.

Interweaving political and economic history, history of pedagogy, and theories of citizenship with a consideration of the aesthetic and affective dimensions of viewing the lectures, Projecting Citizenship offers important insights into the social inequalities and visual language of colonial rule.

Gabrielle Moser is Assistant Professor of Art History at OCAD University.

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