Proof – The Rise of Printmaking in Southern California
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1960s print revival
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American lithography renaissance
American printmaking history
Art
Art collector
Art print
Art reproduction
artisan-printer movement
Artist print
Artwork
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Bruce Conner prints
California modern art
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Claes Oldenburg printmaking
collaborative printmaking
Collectible print
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Decorative art
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Digital print
Ed Moses artist
Ed Ruscha prints
Engraving
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Etching
Fine art
fine art lithography
Fine prints
Garo Antreasian
Giclee
John Altoon
Joseph Albers lithographs
June Wayne
Ken Price
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Lee Mullican
Limited edition
Lithograph
lithography techniques
Los Angeles art scene
Louise Nevelson prints
modern art print studios
Monoprint
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Norton Simon Museum
Original print
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Pacific Standard Time art
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postwar American art
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Print collector
print studio history
Printmaking
printmaking pioneers
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Richard Diebenkorn lithographs
Robert Rauschenberg lithography
Sam Francis art
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Southern California art
Tamarind Lithography Workshop
Tamarind printmakers
Product details
- ISBN 9781606060933
- Weight: 1760g
- Dimensions: 251 x 294mm
- Publication Date: 08 Nov 2011
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to "create a pool of master artisan-printers in the United States" to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art.
Leah Lehmbeck is associate curator at the Norton Simon Museum.
