Property and Finance on the Post-Brexit London Stage

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A01=Michael Meeuwis
austerity theatre
Author_Michael Meeuwis
Can
Category=AB
Category=AFKP
Category=ATD
Category=CBW
Category=DSG
Category=JBCC
Category=JBCC1
Category=JBCT
Category=KC
Category=KNT
Category=YPCA91
class and citizenship
Contemporary Society
Crouch End
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fiona's Parents
Fiona’s Parents
Gender Transitioning
Global theatregoers
Herne Hill
IVF Treatment
King's Head
King’s Head
Main Character
Middle Class Characters
Muswell Hill
neighbourhood identity
Piper
Post-Brexit London Stage
post-Brexit London theatre analysis
Red Rabbit
Royal Central School
Swiss Cottage
theatrical economics
Town Halls
Twinned Incoherence
UK cultural policy
UK culture
UK Stage
Urban geography
urban performance studies
Warwick Arts Centre
West End House
West End Transfer
Wo
Wu Tang Clan
Young Men
Young Vic

Product details

  • ISBN 9780367548025
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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A guide to the contemporary London stage as well as an argument about its future, the book walks readers through the city’s performance spaces following the Brexit vote.

Austerity-era London theatre is suffused with the belief that private ownership defines full citizenship, its perspective narrowing to what an affluent audience might find relatable. From pub theatres to the National, Michael Meeuwis reveals how what gets put on in London interacts with the daily life of the neighbourhoods in which they are set.

This study addresses global theatregoers, as well as students and scholars across theatre and performance studies—particularly those interested in UK culture after Brexit, urban geography, class, and theatrical economics.

Michael Meeuwis is Associate Professor in the Department of English and Comparative Literary Studies at the University of Warwick, Coventry, UK. He is a literary historian of the British eighteenth through twenty-first centuries, with an ongoing interest in theatre and performance; or, a theatre historian with a side hustle in literature.

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