Propuestas Par (re)construir Una Nación
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A01=Margot Versteeg
Author_Margot Versteeg
autoras femeninas espanolas
Category=DSB
Category=DSG
Category=DSRC
construccion de la nacion
Emilia Pardo Bazan
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Espana finisecular
fin de siecle Spain
modernidad
modernity
nation-building
regeneracion
regeneration
renovacion teatral
Spanish stage
Spanish woman writers
teatro espanol
theatrical innovation
Product details
- ISBN 9781557538482
- Weight: 535g
- Dimensions: 160 x 226mm
- Publication Date: 15 Aug 2019
- Publisher: Purdue University Press
- Publication City/Country: US
- Product Form: Paperback
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Propuestas para (re)construir una nación explores how Emilia Pardo Bazán (1851–1921) imagines and engenders the Spanish nation in her theatrical production staged and/or published between 1898 and 1909. In the aftermath of Spain's colonial losses, when Spain's male authors, in a growing mood of collective introspection, directed their attention to the homeland, Pardo Bazán generated a series of theatrical proposals to revitalize the nation. In her plays, she manifests her ideas about Spain's fin de siècle crisis, reflects on Spain's place in the international arena (emphasizing the nation's civilizing mission), critiques the intoxicating power of the so-called golden legend (Spain's glorious past), and sees the origin of the nation's hardship in the lack of education of its inhabitants and in the inequality between men and women.
Pardo Bazán's vision of Spain is forward looking,and she imagines a future in which new social configurations will be possible. Instead of locating her plays in an ancestral Castile, she situates several ofher works in her native Galicia. For the author, Spain's regional issues are inseparable from the country's national issues and these can all be traced back to the woman question. The playwright appeals to the spectators/readers' reasonand emotions in order to let them think and feel that the problems the nation faces can all be attributed to the Spanish men. For Pardo Bazán, Spain's potential for national regeneration resides in the inner strength of women.
In cross-fire with the main male players in the literary field of her time, Pardo Bazán offers her critique of national decadence in plays that cleverly subvert a broad range of by then outdated theatrical conventions, and that introduce the public to new currents of theatrical innovation (Ibsen, Maeterlinck, d'Annunzio).
Propuestas offers a new perspective on the participation of female authors in the contentious debate about the Spanish nation. Pardo Bazán's theater is an overlooked area in the author's extensive creative production, and Propuestas challenges the so often repeated topic of the backwardness of the Spanish stage and the alleged lack of innovation during the fin de siècle.
Pardo Bazán's vision of Spain is forward looking,and she imagines a future in which new social configurations will be possible. Instead of locating her plays in an ancestral Castile, she situates several ofher works in her native Galicia. For the author, Spain's regional issues are inseparable from the country's national issues and these can all be traced back to the woman question. The playwright appeals to the spectators/readers' reasonand emotions in order to let them think and feel that the problems the nation faces can all be attributed to the Spanish men. For Pardo Bazán, Spain's potential for national regeneration resides in the inner strength of women.
In cross-fire with the main male players in the literary field of her time, Pardo Bazán offers her critique of national decadence in plays that cleverly subvert a broad range of by then outdated theatrical conventions, and that introduce the public to new currents of theatrical innovation (Ibsen, Maeterlinck, d'Annunzio).
Propuestas offers a new perspective on the participation of female authors in the contentious debate about the Spanish nation. Pardo Bazán's theater is an overlooked area in the author's extensive creative production, and Propuestas challenges the so often repeated topic of the backwardness of the Spanish stage and the alleged lack of innovation during the fin de siècle.
Margot Versteeg is a professor of Spanish at the University of Kansas. She has published numerous articles on nineteenth- and early-twentieth-century literature and culture, and is the author of two books: one on nineteenth-century Spanish theater (De fusiladores y morcilleros: el discurso cómico del género chico, Rodopi 2000) and another on nineteenth-century proto-intellectuals (Jornaleros de la pluma, Iberoamericana/Vervuert 2011). Versteeg also coedited a volume on Teaching the Works of Emilia Pardo Bazán in the MLA Approaches to Teaching World Literature series, and is coediting a volume on Spanish Realism.
