Prototyping Cultures

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Adolfo Estalella
Alberto Corsin Jimenez
Alex Wilkie
anthropology of prototyping practices
beta
Category=AB
Category=AGA
Category=JBCC
Category=JHMC
Category=QDTK
Centre William Rappard
Choreographic Objects
Choreographic Thinking
collaboration
Collaborative Ethnographic Research
collaborative innovation spaces
Contemporary Dance
design
design ethnography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental cultures
Future Practice
George Marcus
Individual Test Users
International Public Health Agencies
inventive methods
Iowa Child Welfare Research Station
Iowa Experiment
James Leach
Javier Lezaun
Journal of Cultural Economy
knowledge
knowledge production methods
laboratory social dynamics
Michael Guggenheim
Nerea Calvillo
Older Fields
Open Source Architecture
Open Source Software
open-source
Plaster Of Paris
prototypes
Prototyping Practices
Proximal Users
Proximate Constituencies
Recursive Performance
science and technology studies
Spanish National Agency
Synchronous Objects
Technoscientific Objects
UK Government Office
Xerox PARC
Zoohaus Collective

Product details

  • ISBN 9781138693746
  • Weight: 408g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Prototypes have acquired much prominence and visibility in recent times. Software development is perhaps the case in point, where the release of non-stable versions of programmes (beta versions) has become commonplace, as is famously the case in free and open source software. Prototyping has also become an important currency of explanation and description in art-technology contexts, where the emphasis is on the productive and processual aspects of experimentation: Medialabs, hacklabs, community and social art collectives, dorkbots, open collaborative websites or design thinking workshops are spaces and sites where prototyping and experimentation have taken hold as both modes of knowledge-production and cultural and sociological styles of exchange and interaction. Experimentation has also been at the centre of recent reassessments of the organisation of laboratory, expert and more generally epistemic cultures in the sciences. An interesting development is the shift in emphasis from the experimental as a knowledge-site to the experimental as a social process.

This book brings some of the leading scholars in the fields of anthropology, social studies of science and technology, and critical design thinking, in a theoretical and ethnographic dialogue to explore the affordances of the ‘prototype’ as a figure of our contemporary. This book was originally published as a special issue of the Journal of Cultural Economy.

Alberto Corsín Jiménez is Associate Professor in Social Anthropology at the Spanish National Research Council in Madrid, Spain. He is the author of An Anthropological Trompe l’Oeil for a Common World (2013) and editor of Culture and Well-being: Anthropological Approaches to Freedom and Political Ethics (2008) and The Anthropology of Organisations (2007). His current work examines the development of open-source urban hardware projects by architects, artists and engineers.