Home » Provocation of the Senses in Contemporary Theatre
Product Image

Provocation of the Senses in Contemporary Theatre

Stephen Di Benedetto
€210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Stephen Di Benedetto
Abusive Exploitation
audience physiological response
Aural Stimulation
Author_Stephen Di Benedetto
Basilar Membrane
Brain Activity
Burning Man
Category=AFKP
Category=ATD
cognitive science performance
eeting
eld
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fi Ll
finley
gures
Hot Fl Ush
human
JOHN Cage
karen
MT Cell
multisensory experience analysis
neuroaesthetics in live performance
Olfactory Receptor
Olfactory Receptor Neurons
raffaello
RAFFAELLO SANZIO
receptive
Rocky Horror
Rocky Horror Picture Show
sanzio
sensory perception research
sensory processing in contemporary performance
socas
somatic studies in theater
Spinal Cord
Star Trek
Starfl Eet
Taste Bud Cells
Taste Buds
Taste Cells
Taste Receptor Cells
Taste Sensitivity
Theatrical Event
Tragedia Endogonidia
Vice Versa

Product details

  • ISBN 9780415872676
  • Weight: 630g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Apr 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Description

Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.

About Stephen Di Benedetto
Stephen Di Benedetto is an Assistant Professor of Theatre History and Theory at the University of Miami, and is the Book Review Editor (North America) for Theatre Research International.

More from this author