Psychoanalysis and Digital Culture

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A01=Jacob Johanssen
affect
affect theory
affective labor in digital environments
Affective Labour
algorithmic subjectivity
audiences
Author_Jacob Johanssen
Autonomist Marxism
Big Data
biography
Bodily Differences
body
Category=JMAF
Category=PDR
Category=UD
Christmas Prince
Commercial Social Media
convergence
Data Mining
Data Mining Processes
Didier Anzieu
Didier Anzieu theory
digital culture
Digital Housewife
Digital Labour
Digital Labour Debate
digital studies
Embarrassing Bodies
Entertaining Qualities
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
free association
Freud
Freudian Affect
Heteronormative Questions
Immaterial Labour
Individual Twitter Account
inhibition
labour
Leopoldina Fortunati
Marx's Labour Theory
Marx’s Labour Theory
media audience studies
media environment
media studies
media theory
Mnemic Trace
psychoanalysis
psychology
reality television
reality television analysis
research methods
Sigmund Freud theory
Skin Ego
social media
Social Media Companies
social media identity
Teddy Bear
television studies
Twitter
unconscious
unconscious processes

Product details

  • ISBN 9781138484443
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Psychoanalysis and Digital Culture offers a comprehensive account of our contemporary media environment—digital culture and audiences in particular—by drawing on psychoanalysis and media studies frameworks. It provides an introduction to the psychoanalytic affect theories of Sigmund Freud and Didier Anzieu and applies them theoretically and methodologically in a number of case studies. Johanssen argues that digital media fundamentally shape our subjectivities on affective and unconscious levels, and he critically analyses phenomena such as television viewing, Twitter use, affective labour on social media, and data-mining.

How does watching television involve the body? Why are we so drawn to reality television?

Why do we share certain things on social media and not others? How are bodies represented on social media?

How do big data and data mining influence our identities? Can algorithms help us make better decisions?

These questions amongst others are addressed in the chapters of this wide-ranging book. Johanssen shows in a number of case studies how a psychoanalytic angle can bring new insights to audience studies and digital media research more generally. From audience research with viewers of the reality television show Embarrassing Bodies and how they unconsciously used it to work through feelings about their own bodies, to a critical engagement with Hardt and Negri's notion of affective labour and how individuals with bodily differences used social media for their own affective-digital labour, the book suggests that an understanding of affect based on Freud and Anzieu is helpful when thinking about media use. The monograph also discusses the perverse implications of algorithms, big data and data mining for subjectivities. In drawing on empirical data and examples throughout, Johanssen presents a compelling analysis of our contemporary media environment.

Jacob Johanssen is Senior Lecturer in the Communication and Media Research Institute (CAMRI), University of Westminster (United Kingdom). His research interests include psychoanalysis and digital media, audience research, affect theories, digital labour, reality television, psychosocial studies, and critical theory.

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