Psychoanalysis and the Act of Artistic Creation

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A01=Luis Manuel Romano Delgado
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art
artistic transformation
attachment theory
Author_Luis Manuel Romano Delgado
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Bion
Broken Column
Brothers Karamazov
Category1=Non-Fiction
Category=JMR
Common Logic
Continent's Function
COP=United Kingdom
creative cognition
creativity
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Depressive Position
Dominant Bond
emotional repair mechanisms
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eq_nobargain
eq_non-fiction
eq_society-politics
Freud
Frida Kahlo
Galileo's Life
Klein
Kleinian Psychoanalysis
Language_English
Laplanche
Leopold Bloom
Main Character
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Painter Toulouse Lautrec
Paranoid Schizoid Position
Picasso's Cubism
Picasso's Work
Pope Innocent
Pope Innocent X
post-World War Ii Artist
Potential Space
Price_€20 to €50
PS=Active
psychoanalysis
psychoanalytic models in art
psychodynamic theory
psychological symbolism
Schizo Paranoid Position
Semantic Nests
softlaunch
sublimation
Tertiary Process
unconscious processes
Vice Versa
Young Man

Product details

  • ISBN 9781032358581
  • Weight: 160g
  • Dimensions: 138 x 216mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores the phenomenon of creativity and creation from a psychoanalytic point of view, focusing on understanding the psychoemotional dynamics underlying artistic creative activities, such as theatre, literature, and painting.

Throughout, Delgado considers these works of art through a Bionian, Kleinian, and Freudian lens. He uses three major psychoanalytic models of the creative process, two of them classic: the first, Freudian, based on the theory of conflict between impulse and defense, the result of the effort to manage an excessive drive activity, and in which the concept of sublimation is central; the second, Kleinian, based on the attachment theory, in which creative effort corresponds to an attempt to repair the damage done to the object or to the self; and the third, more recent, affiliated with the more expanded attachment relationship theory, based on W. Bion’s theory of thinking, and emphasizing the continent’s capacity for psyche and the oscillation between schizo-paranoid and depressive positions.

With illustrations throughout, this book will be vital reading for anyone interested in the intersection of creativity, the Arts, and psychoanalysis.

Luís Manuel Romano Delgado is a professor at the Institute of Psychology, University Institute (ISPA-IU), Lisbon, Portugal and a psychoanalyst in private practice in Lisbon, and a Full and Training Member of the Portuguese Association of Psychoanalysis and Psychotherapy (APPPP), Portugal, federated in the International Federation of Psychoanalytic Societies (IFPS). He is a Full Member of the Applied Psychology Research Center Capabilities & Inclusion (APPsyCI), which provides investigations of psychology and social problems. His great interest lies in the study of psychodynamics of creativity and psychoanalysis applied to artistic and literary objects. He has published two books on this subject and several articles in national and international journals.

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