Psychoanalytic Perspective on Tragedy, Theater and Death

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A01=Konstantinos I. Arvanitakis
Andere Schauplatz
Artists Die
Author_Konstantinos I. Arvanitakis
Bacchae
Behavioural Science
binary theatrical structure
Category=AFKP
Category=JMAF
Danse Macabre
Dead Class
Dead Object
Dionysian Frenzy
Dionysian theory
Director’s Notebook
Double Deception
dramatic arts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eternal Laws
Euripides
Face To Face
Fifteenth Century BCE
Figure Ground Gestalt
Freud
Greek tragedy
Homeric Psyche
infant-mother rupture
Kantor’s Theater
Mental Health
Ontological Schism
Polish avant-garde performance
Polish theater
Primal Phantasy
Primal Scene
psychoanalysis
psychoanalytic analysis of Bacchae
psychoanalytic ideas
Psychology
Silent Night
Somatic Mind
Stage Points
Tadeusz Kantor
Theater
Theater of Death
tragedy
Tragic Flaw
Traumatic Primal Scene
Unconscious Primal Phantasy
unconscious separation trauma
Urszene
Utter Silence
Violent Fragmentation
Western tragic drama

Product details

  • ISBN 9781032570563
  • Weight: 200g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A Psychoanalytic Perspective on Tragedy, Theater and Death shines a spotlight on what theater, and especially tragedy, tells us about our ontological selves, by exploring both Euripides’ Bacchae and the work of Tadeusz Kantor.

Focusing on the theatrical tradition of the West, the book examines Euripides’ Bacchae, a tragedy about the nature of tragedy, suggesting that the tragic can be defined as an ontological duality rooted in the early experience of the infant’s separation from mother, with whom s/he had, until then, formed a fused Unit. The traumatic rupture of this primal Unit is inscribed in the unconscious as death.

The book then considers the defining binary structure of the theatrical setting – (spectator/spectated or fantasy/reality) – before arguing that in staging our ontological dividedness, theater shows its relation to death to be organic. The book concludes by examining in detail the principal works of Polish theater director Tadeusz Kantor, whose search for theater’s identity was, essentially, a search for human identity.

Erudite and far-reaching, A Psychoanalytic Perspective on Tragedy, Theater and Death will interest psychoanalysts as well as students, scholars and researchers across the dramatic arts wishing to draw on psychoanalytic ideas.

Konstantinos I. Arvanitakis is a Training and Supervising Analyst and former Director of the Canadian Institute of Psychoanalysis. He is an Associated Faculty member and Professor of Psychoanalysis and Philosophy at the Department of Philosophy, McGill University, and Emeritus Psychiatrist at the McGill University Health Center, Montreal, Canada.

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