Psychoanalytic Studies of Creativity, Greed, and Fine Art

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A01=David P Levine
alive
art interpretation
artist subjectivity
attacks
Author_David P Levine
benign
Benign Environment
Blue Fairy
Caretakers
Category=JMAF
Child's Emotional Experience
Come To Life
contact
Creative Center
Creative Stance
Desire's Object
desires
Dine Noted
Disconnected
emotional development
empathy research
envious
Envious Attack
environment
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
feeling
Follow
Greedy Desire
Hold
Irwin's Work
making
object
Persona
Photographer's Subject
Pinocchio
Pinocchio Story
psychoanalytic approach to visual art
psychoanalytic theory
Rothko's Painting
Sense Certainty
Timeless
unconscious processes
Wooden Boy
Young Man

Product details

  • ISBN 9781138884762
  • Weight: 317g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Throughout the history of psychoanalysis, the study of creativity and fine art has been a special concern. Psychoanalytic Studies of Creativity, Greed and Fine Art: Making Contact with the Self makes a distinct contribution to the psychoanalytic study of art by focusing attention on the relationship between creativity and greed. This book also focuses attention on factors in the personality that block creativity, and examines the matter of the self and its ability to be present and exist as the essential element in creativity.

Using examples primarily from visual art David Levine explores the subjects of creativity, empathy, interpretation and thinking through a series of case studies of artists, including Robert Irwin, Ad Reinhardt, Susan Burnstine, and Mark Rothko. Psychoanalytic Studies of Creativity, Greed and Fine Art explores the highly ambivalent attitude of artists toward making their presence known, an ambivalence that is evident in their hostility toward interpretation as a way of knowing. This is discussed with special reference to Susan Sontag’s essay on the subject of interpretation.

Psychoanalytic Studies of Creativity, Greed and Fine Art contributes to a long tradition of psychoanalytically influenced writing on creativity including the work of Deri, Kohut, Meltzer, Miller and Winnicott among others. It will be of interest to psychoanalysts, psychoanalytic psychotherapists, historians and theorists of art.

David P. Levine is Emeritus Professor at the University of Denver. Prior to retiring in 2014, he was a Professor in the Josef Korbel School of International Studies. He has published books and papers on group and organizational dynamics; ethics; reason in politics; and the psychology of work. His most recent books are The Capacity for Ethical Conduct and Pathology of the Capitalist Spirit.

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