Psychology of Art

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A01=George Mather
Alhambra Palaces
Angular Size
Animal Kingdom
Art
art judgement biases
art-making
Artist's Colour Wheel
Artist’s Colour Wheel
Author_George Mather
Book Cover Design
Campbell's Soup Cans
Campbell’s Soup Cans
Category=AF
Category=AGA
Category=JMR
cognitive neuroscience art
Colour
Contour
creative behaviour analysis
Creativity
DMN
ECN
eq_art-fashion-photography
eq_bestseller
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fitness Indicators
Form
Gauguin
Giotto
Giotto Di Bondone
Gogh
human visual processing
Linear Perspective
Making
Neuroscience
Nikolaas Tinbergen
Paul Gauguin
PPC
Proximate Explanations
psychological aesthetics
psychological factors influencing art appreciation
psychological science
Psychology
reproduction technology
Retinal Image
Reward Circuit
Royal Academy's Summer Exhibition
Royal Academy’s Summer Exhibition
Unilateral Spatial Neglect
Unique Hues
Vincent Van Gogh
visual arts
visual perception mechanisms
Young Men

Product details

  • ISBN 9780367609931
  • Weight: 184g
  • Dimensions: 129 x 198mm
  • Publication Date: 08 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Why do we enjoy art? What inspires us to create artistic works? How can brain science help us understand our taste in art?

The Psychology of Art provides an eclectic introduction to the myriad ways in which psychology can help us understand and appreciate creative activities. Exploring how we perceive everything from colour to motion, the book examines art-making as a form of human behaviour that stretches back throughout history as a constant source of inspiration, conflict and conversation. It also considers how factors such as fakery, reproduction technology and sexism influence our judgements about art.

By asking what psychological science has to do with artistic appreciation, The Psychology of Art introduces the reader to new ways of thinking about how we create and consume art.

George Mather is Honorary Professor at the University of Sussex, UK and Emeritus Professor at the University of Lincoln, UK. His main research interests are in the perception of movement, art and visual illusions.

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